Johnny Hachem or the rise of a gifted composer: Johnny Hachem is a Lebanese-Ukrainian composer and pianist, based in Switzerland. He is the holder of many international awards including the 2009 international award for the Music Composition at The International Composition Conference (Cergy-pontoise, France) and the 2021 Third prize of the Classic Pure Vienna International Composition Competition (Vienna, Austria). Johnny Hachem is one of the most promising composers in Europe, with an extensive resume that includes prestigious awards from around the world. He has been awarded many international awards including the 2009 Music Composition Award at The International Composition Conference (Cergy -Pontoise, France). Find even more details at Johnny Hachem.
There are two schools: one is to repeat accurately and punctually all the previously written compositions, the other is to improvise and feel free to find the inner connection to them. Which one do you favour more? Johnny Hachem:Honestly, both. That’s why most of my solo piano concerts are under the title of “Composition and improvisation recital”. The 21st century brought tremendous amount of digital music making tools, lately even softwares, AIs started to do the work of composing, mixing and truth to be told, the streaming services encourages everyone to release new songs every month or even more frequently. Obviously, there is the question of quality and originality, too. What about you? Can you see yourself as an everyday new song writing artist or integrity and authenticity must meet uniqueness and genuine originality?
As for learning piano and music composition, Johnny got his training from the Lebanese higher Conservatory of Music and earned a master’s degree with distinction. Since then, there has been no looking back for him. In fact, Johnny has been composing for more than 20 years and has produced music for orchestras and chamber music. Moreover, many symphony orchestras have been playing his compositions on the stages in various countries across the world.
Oftentimes musicals and mainstream songs “borrow” from classical pieces, even without mentioning the actual origins. The reasoning is that “every note has already been used”, so, why not. Has it ever happened to you that your compositions welcomed you in someone other’s gown? Johnny Hachem: I think no, at least not until now, haha. Or maybe it’s happened and I’m just unaware of it? It can be! Why do you think modern compositions lack of the beautiful and elegant complexity of notes, chords; the ornaments such as turns, mordents, trills, acciaccaturas, appoggiaturas; the complete lack of meaningful structures and so on? And this goes both for each and every genre. Can it be because of the untrained ears will not buy into something they feel alien and untranslatable, “too much” or because majority of the songs are written by a handful of craftsmen in the background and the “indies” in any genres are just, well, simply not enough good?
Johnny Hachem composer and pianist, was born in Beirut. He is a live performer, as well as a film composer. He holds two international awards including the 2009 international award for the Music Composition from the The International Composition Conference (Cergy-pontoise, France). The music industry in the US is huge. With a lot of mainstream and underground musicians trying to make it big in the industry, it is only a handful of extremely talented individuals who shine bright in the crowd.
He is a very talented musician who has composed music for several films, including the award-winning documentary by Carmen Labaki: “I Knocked on The Temple’s Door”. To name just some of his work he also wrote piano concertos as well clarinet and violin pieces among others that have been performed around Europe & the Middle East. Johnny Hachem’s music is like a window to his soul. The way he sees things, the feelings that are evoked in people by his compositions – it all comes through so clearly and with such honesty of expression because Johnny himself has been there before you know.